Arthur Miller's first success came in 1947 with All My Sons for which he the New York Drama Critics Circle award. Although it lacked the originality of some of later works, this family drama, which told the story of a factory owner who caused the death of several American pilots during World War I by selling defective parts to the government, dealt with issues of guilt and dishonesty that Miller revisit and expand upon in some of his more memorable plays.
His next play, Death of a Salesman, stunned audiences with brilliance and was quickly earmarked as a classic of the modern . It also sparked heated debates over the true nature of tragedy. Some critics criticized Miller for infusing the play with a deep sense of pity for the commonplace salesman Willy Loman. They insisted that Willy was a "little man" and therefore not worthy of the pathos for such tragic heroes as Oedipus and Medea. Miller, , argued that the tragic fe eling is invoked whenever we are in the presence of a character, any character, who is ready to sacrifice his life, if need be, to secure one thing--his sense of personal dignity. And the "little" salesman was determined to do just that, no matter the cost.
Arthur Miller was the Pulitzer Prize in 1949 for Death of a Salesman. He has come to be considered one of the greatest dramatists in the history of the American Theatre, and his plays, a fusion of naturalistic and expressionistic techniques, to be widely produced.